September 2026

  • Ceridwen, the Keeper of Awen, and the Making of the Poet Taliesin in Welsh Legend

    Ceridwen, the enchantress of Welsh legend, kept the cauldron of Awen — poetic inspiration. When her servant Gwion Bach stole the gift meant for her son, a shape-shifting chase ended in his rebirth as the poet Taliesin. A study of a muse, a tale, and a living Welsh tradition of inspiration.

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  • Mabon, the Autumn Equinox, and the Modern Making of an Ancient Feast of the Second Harvest

    Mabon, the modern neopagan festival of the autumn equinox and the second harvest, was named only in the 1970s — yet it gathers genuinely ancient materials: the equinox of the astronomers, the harvest rites of the folk, the Welsh youth Mabon ap Modron, and the descent myth of Demeter and Persephone.

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  • THE WOMAN WHO WAS NEVER BURNED

    THE WOMAN WHO WAS NEVER BURNED

    Dame Alice Kyteler, the first person condemned for witchcraft in Ireland, escaped before her 1324 sentencing while her servant Petronilla de Meath burned in her place. This field study reconstructs the wealthy widow behind the accusation, weighs the motives that doomed her, and asks whether she survived and fled abroad.

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  • THE ONE WHO COULD NOT RUN

    THE ONE WHO COULD NOT RUN

    Petronilla de Meath, servant of Dame Alice Kyteler, was tortured into confession and burned at Kilkenny on 3 November 1324 — the first death by fire for heresy in Ireland and the British Isles. This study reclaims her from footnote to subject: the powerless woman burned because she could not run.

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  • A Chronology of Anne Rice’s Interwoven Cosmos — the Vampires, the Witches, and the Taltos

    A companion register ordering Anne Rice’s interwoven cosmos two ways: by internal chronology, from ancient Egypt to the millennial confluence of the vampires, witches, and Taltos; and by the order of publication, 1976 to 2018. The Talamasca threads throughout, and three crossover novels mark where the twin sagas formally converge.

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  • THE BLOOD AND THE BLOODLINE

    THE BLOOD AND THE BLOODLINE

    Anne Rice’s vampire and Mayfair witch sagas are twin dynasties drawn from one soil: Catholic, decaying New Orleans. Both are genealogies of cursed blood — the made undead, the born witch-blooded — joined by a shared city, a watching scholarly order, and a lifelong meditation on grief, inheritance, and the Southern past.

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