Southern Gothic

  • A Chronology of Anne Rice’s Interwoven Cosmos — the Vampires, the Witches, and the Taltos

    A companion register ordering Anne Rice’s interwoven cosmos two ways: by internal chronology, from ancient Egypt to the millennial confluence of the vampires, witches, and Taltos; and by the order of publication, 1976 to 2018. The Talamasca threads throughout, and three crossover novels mark where the twin sagas formally converge.

    Read more →

  • THE BLOOD AND THE BLOODLINE

    THE BLOOD AND THE BLOODLINE

    Anne Rice’s vampire and Mayfair witch sagas are twin dynasties drawn from one soil: Catholic, decaying New Orleans. Both are genealogies of cursed blood — the made undead, the born witch-blooded — joined by a shared city, a watching scholarly order, and a lifelong meditation on grief, inheritance, and the Southern past.

    Read more →

  • The Corpse-Candle and the Cold Fire: A Chronicle of the Will-o’-the-Wisp

    A scholarly chronicle of the will-o’-the-wisp, tracing the marsh-light across European fens, the American South, and Asia. Examines its natural chemistry, its funereal folklore, its role as omen and lure, and its near-extinction with the draining of the wetlands that once gave it life.

    Read more →

  • The Owl That Wears a Woman’s Grief: A Field Study of Las Lechuzas in the Borderland Dark

    An anthropological chronicle of Las Lechuzas, the witch-owls of Mexican and South Texas folklore. This field study traces their linguistic roots, contested materiality, celestial lore, and the dark feminine archetype they embody, examining how borderland communities encoded fear, transgression, and reclamation into the silhouette of a nocturnal bird.

    Read more →

  • Haint Blue & the Color That Guards the Threshold

    An archival field study into Haint Blue—the pale blue-green pigment born of Gullah tradition and crushed indigo. From the slave quarters of Savannah to the porches of the modern South, this chronicle traces a color engineered to deceive the restless dead and the predatory Boo Hag.

    Read more →